Amelia Curran May 15th, 2012 Glenn Gould Studio Toronto, CAN SOURCE: SP-CMC-2 > SP-SPSB-11-80036 > Edirol R-09hr (WAV 24bit/96kHz) [AUD > SD] LOCATION: ~ 10ft below the left hanging stack TRANSFER: PNY Class 4 SD>USB>PC EQ: WAV>Cool Edit Pro>Goldwave>SRCdrop>CDwave EQ DETAILS: GW: Fades, volume; CEP: EQ, balance; SRC: downsample to 16bit/44.1kHz WAV; CDw: track splits, ENCODING: FLAC(6) time: 01:16:06 01. [introduction] 02. The Furious Curve 03. [banter] 04. Julia 05. Bye Bye Montreal 06. Blackbird on Fire 07. The Dozens 08. [banter] 09. The Wrecking Ball 10. [banter] 11. The Mistress 12. [banter] 13. The Years 14. [banter] 15. Love's Grave 16. The Great Escape 17. Scattered and Small 18. [banter] 19. All Hands On A Grain of Sand 20. [banter] 21. You Won't Find Me 22. [banter] 23. The San Andreas Fault 24. [banter] 25. Soft Wooden Towers 26. [banter] 27. Everything I've Got To Give 28. [encore] 29. [banter] 30. The Modern Man 31. [banter] 32. Tiny Glass Houses NOTES: Another great sounding, but quiet, recording from Glenn Gould Studio. As such, there's a volume adjustment duing Track 2 you may or may not notice, as it was adjusted during post-production to match the approximate volume of the rest of the recording. Also, there's some very heavy-handed compression to bring the crowd's applause down to tolderable levels -- enough for me to raise the volume enough to make the songs and banter clearly audible. Because the volume had to be increased several decibles, there's also a ever so slight hiss noticable at louder volumes. Weird digital glitch at 2:44 into Track 4.